Sun dog

Very bright sundogs in Fargo, North Dakota. Note the halo arcs passing through each sundog.

A sun dog or sundog (scientific name parhelion, plural parhelia, from Greek parēlion, (παρήλιον), παρά(beside) + ήλιος(sun), "beside the sun"; also called a mock sun) is an atmospheric phenomenon that creates bright spots of light in the sky, often on a luminous ring or halo on either side of the sun.[1]

Sundogs may appear as a colored patch of light to the left or right of the sun, 22° distant and at the same distance above the horizon as the sun, and in ice halos. They can be seen anywhere in the world during any season, but they are not always obvious or bright. Sundogs are best seen and are most conspicuous when the sun is low.

Contents

Formation and characteristics

Sundogs are formed by plate-shaped hexagonal ice crystals in high and cold cirrus clouds or, during very cold weather, by ice crystals called diamond dust drifting in the air at low levels. These crystals act as prisms, bending the light rays passing through them by 22°. If the crystals are randomly oriented, a complete ring around the sun is seen — a halo. But often, as the crystals sink through the air they become vertically aligned, so sunlight is refracted horizontally — in this case, sundogs are seen.

As the sun rises higher, the rays passing through the crystals are increasingly skewed from the horizontal plane. Their angle of deviation increases and the sundogs move further from the sun.[2] However, they always stay at the same altitude as the sun.

Sundogs are red-colored at the side nearest the sun. Farther out the colors grade through oranges to blue. However, the colors overlap considerably and so are muted, never pure or saturated. The colors of the sundog finally merge into the white of the parhelic circle (if the latter is visible).

It is theoretically possible to predict the forms of sundogs as would be seen on other planets and moons. Mars might have sundogs formed by both water-ice and CO2-ice. On the giant gas planets — Jupiter, Saturn, Uranus and Neptune — other crystals form the clouds of ammonia, methane, and other substances that can produce halos with four or more sundogs.[3]

History

A parhelion at the South Pole.

Greece

Aristotle (Meteorology III.2, 372a14) notes that "two mock suns rose with the sun and followed it all through the day until sunset." He says that "mock suns" are always to the side, never above or below, most commonly at sunrise or sunset, more rarely in the middle of the day.

The poet Aratus (Phaenomena 880-891) mentions parhelia as part of his catalogue of Weather Signs; for him, they can indicate rain, wind, or an approaching storm.

Rome

A passage in Cicero's On the Republic (54-51 BC) is one of many by Greek and Roman authors who refer to sun dogs and similar phenomena:

Be it so, said Tubero; and since you invite me to discussion, and present the opportunity, let us first examine, before any one else arrives, what can be the nature of the parhelion, or double sun, which was mentioned in the senate. Those that affirm they witnessed this prodigy are neither few nor unworthy of credit, so that there is more reason for investigation than incredulity.[4]

The 2nd century Roman writer and philosopher Apuleius in his Apologia XV says "What is the cause of the prismatic colours of the rainbow, or of the appearance in heaven of two rival images of the sun, with sundry other phenomena treated in a monumental volume by Archimedes of Syracuse."

Wars of the Roses

The prelude to the Battle of Mortimer's Cross in Herefordshire, England in 1461 is supposed to have involved the appearance of a complete parhelion with three "suns". The Yorkist commander, later Edward IV, convinced his initially frightened troops that it represented the Holy Trinity and Edward's troops won a decisive victory.

Jakob Hutter

Possibly the earliest clear description of a sundog is by Jacob Hutter, who wrote in his Brotherly Faithfulness: Epistles from a Time of Persecution:

My beloved children, I want to tell you that on the day after the departure of our brothers Kuntz and Michel, on a Friday, we saw three suns in the sky for a good long time, about an hour, as well as two rainbows. These had their backs turned toward each other, almost touching in the middle, and their ends pointed away from each other. And this I, Jakob, saw with my own eyes, and many brothers and sisters saw it with me. After a while the two suns and rainbows disappeared, and only the one sun remained. Even though the other two suns were not as bright as the one, they were clearly visible. I feel this was no small miracle …[5]

The observation most likely occurred in Auspitz (Hustopeče), Moravia in very late October or very early November of 1533. The original was written in German and is from a letter originally sent in November 1533 from Auspitz in Moravia to the Adige Valley in Tyrol. The Kuntz Maurer and Michel Schuster mentioned in the letter left Hutter on the Thursday after the feast day of Simon and Jude, which is October 28. (This quote is also referenced by Fred Schaaf on page 94 of the November 1997 and December 1997 issues of Sky & Telescope.)

Vädersolstavlan

The so-called "Sun Dog Painting" (Vädersolstavlan) depicting Stockholm in 1535 and the celestial phenomenon at the time interpreted as an ominous presage

While mostly known and often quoted for being the oldest colour depiction of the city of Stockholm, Vädersolstavlan (Swedish; "The Sundog Painting", literally "The Weather Sun Painting") is arguably also one of the oldest known depictions of a sun dog. For two hours in the morning of April 20, 1535, the skies over the city were filled with white circles and arcs crossing the sky, while additional suns appeared around the sun. The phenomenon quickly resulted in rumours of an omen of God's forthcoming revenge on King Gustav Vasa (1496–1560) for having introduced Protestantism during the 1520s and for being heavy-handed with his enemies allied with the Danish king.

Hoping to end speculations, the Chancellor and Lutheran scholar Olaus Petri (1493–1552) ordered a painting to be produced documenting the event. When confronted with the painting, the king, however, interpreted it as a conspiracy - the real sun of course being himself threatened by competing fake suns, one being Olaus Petri and the other the clergyman and scholar Laurentius Andreae (1470–1552), both thus accused of treachery, but eventually escaping capital punishment. The original painting is lost, but a copy from the 1630s survives and still can be seen in the church Storkyrkan in central Stockholm.[6]

Woodcut of 1561 German event

Nuremberg, Germany in 1561

On April 14, 1561, the skies over Nuremberg, Germany were filled with a multitude of celestial objects that were observed by many people in the city. The objects were depicted five years later in the 1566 woodcut by Hans Glaser of the "1561 Nuremberg event", that is displayed to the left.[7] Several of the images resemble the types of phenomenon that occur as parhelia or halos.[8]

Shackleton

In her history Shipwreck at the Bottom of the World: The Extraordinary True Story of Shackleton and the Endurance, telling the story of Endurance's ill-fated polar expedition in 1912, Jennifer Armstrong writes:

… All around them, too, were signs that the Antarctic winter was fast approaching: there were now twelve hours of darkness, and during the daylight hours petrels and terns fled toward the north. Skuas kept up a screeching clamor, and penguins on the move honked and brayed from the ice for miles around. Killer whales cruised the open leads, blowing spouts of icy spray. The tricks of the Antarctic atmosphere brought mock suns and green sunsets, and showers of jewel-coloured ice crystals.[9]

Other citations

Fiction

The short (166) Canto One, with all those amusing birds and parhelia, occupies thirteen cards. [11]

        ...and that rare phenomenon
        The iridule--when beautiful and strange,
        In a bright sky above a mountain range
        One opal cloudlet in an oval form
        Reflects the rainbow of a thunderstorm...

Fine arts & film

Popular culture

Popular music

I've played the unraveler, the parhelion
But even Apocalypse is fleeting
There's no death, no ugly world

See also

  • 120° parhelion
  • Anthelion
  • Circumhorizontal arc
  • False sunrise
  • Liljequist parhelion
  • Moon dog
  • Moon ring
  • The Miracle of the Sun

References

  1. AMHER, 2004
  2. L. Cowley. "Effect of solar altitude". Atmospheric Optics. http://www.atoptics.co.uk/halo/dogalt.htm. Retrieved 07-04-1knowen as5. 
  3. L. Cowley. "Other Worlds". Atmospheric Optics. http://www.atoptics.co.uk/halo/oworld.htm. Retrieved 07-04-15. 
  4. Cicero. "On the Commonwealth, Book 1". Project Gutenberg (literal translation by C. D. Yonge, 1877). pp. (260), 367, (369). http://www.gutenberg.org/files/14988/14988-h/14988-h.htm#FNA-296. 
  5. Jakob Hutter (1979). Brotherly Faithfulness: Epistles from a Time of Persecution. Rifton, NY: Plough Publishing. pp. 20–21. ISBN 0-87486-191-8. 
  6. Pererik Åberg (2003-07-10). "Vädersolstavlan". Stockholm: Sveriges Television. http://svt.se/svt/jsp/Crosslink.jsp?d=11190&a=99963. Retrieved 2007-01-28. 
  7. Warring Globes at Nuremberg, Germany 1561
  8. Arbeitskreis Meteore Alte Halo-Darstellungen I and Alte Halo-Darstellungen II
  9. Jennifer Armstrong (1998). Shipwreck at the Bottom of the World: The Extraordinary True Story of Shackleton and the Endurance. NY: Crown. pp. 123. ISBN 0-375-81049-8. 
  10. Jack London's Works by Date of Composition by James Williams
  11. Vladimir Nabokov (1962). Pale Fire. NY: G. P. Putnam's Sons. pp. 315. 
  12. Patrick O'Brian (1978). "9". Desolation Island. NY: Norton. pp. 123. ISBN 0-393-30813-8. 
  13. Sharon Kay Penman (1982). "4". The Sunne in Splendour. NY: Ballantine. pp. 60. ISBN 0-345-36313-2. 
  14. Jane Gardam (2006). Old Filth (novel). NY: Europa Editions. pp. 286. ISBN 1-933372-13-3. 
  15. Neil Peart (1989). Rush Profiled! - Presto, promotional interview CD. Atlantic Records. 
  16. "Of Montreal - The Past Is A Grotesque Animal". SongMeanings.net. 2006-09-09. http://www.songmeanings.net/lyric.php?lid=3530822107858624057. Retrieved 2007-02-16.  (The page uses this Wikipedia article as a reference to sort out the 'obscure references' of Kevin Barnes.)

External links